Piet Mondrian and De Stijl at the Centre Pompidou
The Centre Pompidou will exhibit the largest retrospective of the Dutch painter Piet Mondrian, and trusses and tours with the Dutch De Stijl art movement, which intersects with his work. The aesthetic route through 100 works by the Dutch painter, who marked the modern art with black nets on the white canvas dotted with little squares in primary colors, is the first of this scale to be held in France and is open until March 21 2011.

De Stijl, which means style in Dutch, was a magazine devoted to the arts founded by Piet Mondrian and Theo van Doesburg in 1917 and lasted until 1931. Around it, artists who published manifestos, criticisms and theories that advocate a radical transformation of the arts met to replace the traditional art of illustration for an art that can be understood from itself, without reference to the world of objects or figurative reproduction.
This style was baptized by Mondrian as neoplasticism and intended to achieve real objectivity by releasing the work of art from its dependence on the momentary individual perception and temperament of the artist.
In search of plastic harmony, a universal language of shapes and primary colors that goes beyond the painting, Mondrian was the central figure and the most famous of the De Stijl movement.
Piet Cornelis Mondrian was born in Amersfoort on March 7, 1872. He studied at the Academy of Fine Arts in Amsterdam. His first step in painting is part of naturalism and symbolism, influenced by trends in painting at the time.
He started his first step to abstraction influenced by the Cubism of Picasso and Braque, moving to Paris in 1911. In 1913 his career began to gain recognition, the poet Guillaume Apollinaire, notable ideologue of the Cubist cause, praises the originality of the work that Piet presented in the 29th edition of the Salon des Independants. In his apartment in Beaubourg, in the rue 26 in the Montparnasse district, he developed a particular vision of Synthetic Cubism that shows a clear tendency to abstraction.
The First World War (1914) takes him back to Amsterdam, where he met Theo van Doesburg, initiating a relationship of intellectual work that led to the founding of De Stijl, which would definitely influence their lives and their art.
After living several years in Paris and London, in 1940 he moved to New York due to the Nazi bombing. There his work is influenced by American urban life, starting his construction phase of the color that is reflected in two key works Broadway Boogie-Woogie and Victory Boogie-Woogie. The latter would be unfinished, since pneumonia ended his life in early 1944.
Nancy Guzman
Mondrian changed the face of modern art. His influence extends to painting, sculpture, graphic design, fashion and architecture. So if you are in Paris and want to know his aesthetics work, visit the Pompidou Centre and enjoy the city and a good rest in one of the apartments in Paris?
Translated by: salome antigone
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